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QuadTone RIP

QuadTone RIP Background There are two RIPs which support Piezography inks. The ErgoSoft StudioPrint RIP (SPR) is expensive and very full-featured. It has enormous flexibility at a high cost. The other, QuadTone RIP (QTR) is inexpensive ($50) and because we produce the media linearizations for it with our own Piezography software – the output quality is actually higher. We use both products in our studio. We run QTR to produce all single ink set prints including our glossy prints. We use SPR to blend between two or more ink sets. QuadTone RIP by Roy Harrington is based upon open-source code and we...Read more

Piezography Glossy

Piezography Glossy – the mere existence of the concept implies that Piezography is matte. And historically, Piezography has been only matte. Piezography Glossy is a rare beast right now. It’s the newest incarnation of the black & white inkjet systems Jon Cone has been developing since 1994. Mostly, printing customers have been coming to Vermont to work with Jon Cone in his studio – to check it out – relate to it in terms of their own work, and to test their own belief system in traditional look photography. Piezography Glossy ( we call it Piezography MPS in...Read more

Warm Neutral K7/K6 inks

Warm Neutral K7/K6 inks When I first began selling PiezographyBW systems – the inks came only in one flavor (Piezography BW WarmNeutral). My second generation ink (PiezoTone Warm Neutral) was a vastly superior formulation that could be used in all modern Epson printers. It had superior longevity as well as print head performance. It also had the “look” that I preferred. It was developed with my close friend who is also my chemist. Warm Neutral prints are like the original Coca Cola!  Why it took me so long to reformulate a K7 version – I simply do not know…  Yet it is probably the...Read more

Selenium K7/K6 inks

Selenium K7/K6 inks This is one of my favorite ink sets. My teacher at Ohio University was Arnold Gassan. Arnold wrote one of the definitive text books on the history of Photography. His text books are still highly sought after: A Chronology of Photography; a Critical Survey of the History of Photography as a Medium of Art The Color Print Book: A Survey of Contemporary Color Photographic Print Making Methods for the Creative Photographer Handbook for Contemporary Photography Arnold taught me most of what I know as a darkroom printer. He encouraged me to study the chemistry of photography. Although his tutelage...Read more

Carbon K7/K6 inks (formerly Sepia K7/K6)

Carbon K7/K6 inks (formerly Sepia K7/K6) This ink has the odd distinction of being the most lightfast ink ever tested at the Aardenburg Image Archives. That is to say, that at the length of exposure it has received, it is the only ink set designed for black & white that is by far outpacing the HP, Canon and Epson inks that have multiple shades of gray in them. It is even far outpacing any other ink set. I did not design this ink to be many magnitudes more permanent than Canon, Epson and HP inks. The secret of this ink, is pure carbon expertly ground to tiny tolerances and encased in a micro-encapsulation of acrylic co-polymer....Read more

Neutral K7/K6 inks

Neutral K7/K6 inks This ink set was designed to be achromatic to the human visual system when printed on a very specific color of white paper. The paper we designed it on is Hahnemuhle Photo Rag.  Innova Photo Smooth Cotton White also has this same tone of white. When viewed under a full spectrum 5000k light source (this is the color of white that a standard human sees as neutral), a photograph on these two papers will appear to be neutral. Because the inks are neutral, they will pick up the tone of any paper white and shift in that direction. The inks therefore can be made to appear warm on warmer papers and...Read more

Special Edition inks

Special Edition inks   Soft proof: Special Edition on JonCone Studio Type 2 This is a brand new Piezography product. It is a unique ink set specially blended by Jon Cone for split-tones that displays crisp neutral highlights which meld into selenium which melds into Carbon shadows with a clear black. This is the most beautiful ink set Piezography has ever released to the public. “The most beautiful print color since Agfa Brovira, perfect screen match, tack sharp, deep and detailed shadows… Spectacular product.” Craig Wallace Dale www.craigdale.com This ink set was influenced heavily...Read more

Piezography K7 system

Piezography K7 system Piezography K7 is the latest generation of product and is a sharp contrast in quality and longevity when compared to EPSON K3 printers and their Advanced Black option. While EPSON has just recently introduced printers with seven and eight inks, they have only introduced three black shades of ink. Piezography which first introduced 4 shades of black ink in 2000, introduces seven shades of black for these printers. Piezography takes advantage of the seven inkjet heads in EPSON printers to produce significantly higher quality monochromatic prints, than can EPSON with only three shades of black...Read more

Jon Cone-IMG03580

Jon Cone-IMG03580 Photographer:  Jon Cone Title: IMG03580, 04/22/08, 10:10PM,  Mexico City Year: 2007 Part of his Blackberry Series, Cone has been shooting with a cell phone camera to make photographs that are part of  what he calls “our present culture of image making.” “The cell phone photograph has become part of our culture, much like the way Kodak brownie did in the 1950s. These cameras produce photos which our visual intelligence is rapidly beginning to recognize. They have a peculiar format and lens. What I have been trying to do is make photographs in a manner that I would call “serious...Read more
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