Posted on Mar 24th, 2010
Photographer: Jon Cone
Title:DSCN0211
Year: 2000
Part of the Banff Series made in 2000 with a Nikon Coolpix 990 camera. 2048 x 1536 pixels created an abundance of resolution for small prints. The twisting viewfinder permitted the camera to be held and imaged with like a twin-lens reflex. There was an information palette that could be used in order to make observations concerning exposure and dynamic range.
“My choice as a photographer has always been to print small images that can be viewed and held in one’s attunement. As a result, I’ve been able to shoot with inexpensive...
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Posted on Mar 24th, 2010
Photographer: Jon Cone
Title:DSCN0157
Year: 2000
Part of the Banff Series made in 2000 with a Nikon Coolpix 990 camera. 2048 x 1536 pixels created an abundance of resolution for small prints. The twisting viewfinder permitted the camera to be held and imaged with like a twin-lens reflex. There was an information palette that could be used in order to make observations concerning exposure and dynamic range.
“My choice as a photographer has always been to print small images that can be viewed and held in one’s attunement. As a result, I’ve been able to shoot with inexpensive...
Read more
Posted on Mar 24th, 2010
Photographer: Jon Cone
Title:DSCN0165
Year: 2000
Part of the Banff Series made in 2000 with a Nikon Coolpix 990 camera. 2048 x 1536 pixels created an abundance of resolution for small prints. The twisting viewfinder permitted the camera to be held and imaged with like a twin-lens reflex. There was an information palette that could be used in order to make observations concerning exposure and dynamic range.
“My choice as a photographer has always been to print small images that can be viewed and held in one’s attunement. As a result, I’ve been able to shoot with inexpensive...
Read more
Posted on Mar 24th, 2010
Photographer: Jon Cone
Title:DSCN0149, Banff Self Portrait
Year: 2000
Part of the Banff Series made in 2000 with a Nikon Coolpix 990 camera. 2048 x 1536 pixels created an abundance of resolution for small prints. The twisting viewfinder permitted the camera to be held and imaged with like a twin-lens reflex. There was an information palette that could be used in order to make observations concerning exposure and dynamic range.
“My choice as a photographer has always been to print small images that can be viewed and held in one’s attunement. As a result, I’ve been able to shoot...
Read more
Posted on Mar 24th, 2010
Photographer: Jon Cone
Title:DSCN0148, Banff
Year: 2000
Part of the Banff Series made in 2000 with a Nikon Coolpix 990 camera. 2048 x 1536 pixels created an abundance of resolution for small prints. The twisting viewfinder permitted the camera to be held and imaged with like a twin-lens reflex. There was an information palette that could be used in order to make observations concerning exposure and dynamic range.
“My choice as a photographer has always been to print small images that can be viewed and held in one’s attunement. As a result, I’ve been able to shoot with...
Read more
Posted on Mar 24th, 2010
Photographer: Jon Cone
Title:DSCN0145, Banff
Year: 2000
Part of the Banff Series made in 2000 with a Nikon Coolpix 990 camera. 2048 x 1536 pixels created an abundance of resolution for small prints. The twisting viewfinder permitted the camera to be held and imaged with like a twin-lens reflex. There was an information palette that could be used in order to make observations concerning exposure and dynamic range.
“My choice as a photographer has always been to print small images that can be viewed and held in one’s attunement. As a result, I’ve been able to shoot with...
Read more
Posted on Dec 17th, 2009
Photographer: Jon Cone
Title: IMG03580, 04/22/08, 10:10PM, Mexico City
Year: 2007
Part of his Blackberry Series, Cone has been shooting with a cell phone camera to make photographs that are part of what he calls “our present culture of image making.”
“The cell phone photograph has become part of our culture, much like the way Kodak brownie did in the 1950s. These cameras produce photos which our visual intelligence is rapidly beginning to recognize. They have a peculiar format and lens. What I have been trying to do is make photographs in a manner that I would call “serious...
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